Debra Keirce has been awarded Best in Show at the Small Works National Competition at…
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Why “Medium” Is So Often Confusing Few terms in painting are used with greater broad-stroke ambiguity than “medium”. In common…
I. The Fear It is difficult for me to believe that I am coming up on thirty years of teaching…
“You have to make it inside of yourself wherever you are.” ~Ernest Hemmingway, Islands in the Stream. Islands are often…
From Medal-Winning Masterpieces to Today’s Global Winter Stage In this issue, my section takes a slightly different direction from the…
Global diversity is often framed as a matter of exposure. Travel more. Read widely. Study other histories, languages, and traditions.…
A great question came up on Instagram yesterday about some of the potential issues with intermixing graphite and white pastel…
A study from Shanghai Jiao Tong University (School of Design) in China made some waves in 2019 (pun intended) with…
Simplicity and Bold Impact – The Legacy of Robert Indiana There are certain ideas and emotions that are so intrinsic…
Image: James McNeill Whistler, “Arrangement in Grey and Black No.1” (“Whistler’s Mother”), (DETAIL) 1871 Why Limits Strengthen Learning in Artistic…
Materializing the Margins: Harmony Hammond’s Feminist Form Throughout American history, queer artists have been on the fringe of the mainstream…